ARTICLES

Arthur Bahr Draft: Seeing Double across the Illustrations of Sir Gawain and the Green Knight

David Balade: Redessiner Sir Gawain and the Green Knight

Florence Bourgne: The Green Knight, between verdure and tryfles

Dermot Burns: What’s in a flinch? Courage and cowardice in the poem Sir Gawain and the Green Knight and its 21st-century screen adaptation, The Green Knight.

Elizabeth Dearnley: ‘Into a forest ful dep, þat ferly watz wylde’: Gawain and the fairy tale forest

Claire Hélie: The Sounds of the Green Knight

Ad Putter: Lost in Translation: Reading Sir Gawain and the Green Knight in the Original and in Translation

Élodie Raimbault: Incisions, gaps and insertions in Sir Gawain and the Green Knight and Lowery’s The Green Knight: “slotted through a slit so the hide stayed whole”

Michael Reid, The Green Knight: An Ambiguous Portrait

Andrew M. Richmond: The Green Chapel: Plotting Place and Environmental Experience in Sir Gawain and the Green Knight and David Lowery’s The Green Knight

Olivier Simonin: Colours in Sir Gawain and the Green Knight

Tobias Stockler: The hidden characters of Sir Gawain and the Green Knight: a census

Dennis Tredy: ‘Making Improvements’ on The Green Knight (2021): L’Évolution de la vision de David Lowery entre scénario et film

Katie Trowsdale: A Very Modern Morgan? David Lowery’s Subversive Depiction of Gender & the Occult in The Green Knight

Martine Yvernault: The Poet and the Weaver: the Inspiring Image of Sir Gawain and the Green Knight

L'Université de Lorraine organise un colloque sur "Tradition and Innovation in Sir Gawain and the Green Knight"

21 et 22 novembre 2024.

Pour s'inscrire : ici

Tradition and Innovation in Sir Gawain and the Green Knight / Nancy, 21-22 November 2024

Programme

Thursday 21 November

9h30-9h45 Welcome

9h45-11h15 Session 1: Sir Gawain and the Green Knight and its ambiguities. Chair: Olivier Simonin (Université de Perpignan)

9h45-10h15 Céline Savatier-Lahondès (Université de Clermont Auvergne): Gauvain à la croisée des chemins : entre tradition ancienne et foi chrétienne, syncrétisme, mystère et pédagogie

10h15-10h45 Aude Martin (Université de Lorraine): Who is Gawain? Referring to the Hero in Sir Gawain and the Green Knight

10h45-11h15 Michael Reid: Morgan le Fay, Ambiguity and the Supernatural in Sir Gawain and the Green Knight

11h15-11h30 break

11h30-12h30 Plenary lecture 1: Raluca Radulescu (University of Bangor): Sir Gawain and the Green Knight and Problems with Translation: Languages, Medieval to Modern

12h30-14h30 lunch

14h30-16h Session 2: Words and sounds. Chair: Fanny Moghaddassi (Université de Strasbourg)

14h30-15h Dermot Burns (University of Galway): ‘Now þenk wel …’: scepticism, gullibility, and weird words in Sir Gawain and the Green Knight

15h-15h30 Olivier Simonin (Université de Perpignan): Vers longs et effets poétiques dans Sir Gawain and the Green Knight

15h30-16h Mathilde Hamm (Sorbonne Université): Ambiguity and Inversions in Sir Gawain and the Green Knight; "That's a very queer painting..."

16h-16h15 break

16h15-17h45 Session 3: Sir Gawain and the Green Knight in Translation. Chair: Tatjana Silec (Sorbonne Université)

16h15-16h45 Michèle Gally (Université d’Aix-Marseille): Intégrer Gauvain et le Chevalier vert dans la dramaturgie de « Graal-théâtre » ?

16h45-17h15 Claire Hélie (Université de Lille): Armitage’s Gawains: from the "Arnold Bennett mode" to the "Poet Laureate mode"

17h15-17h45 Tobias Stockler (Université de Picardie-Jules Verne): Armitage and Lowery: Modern Adaptations, Ancient Worldbuilding

19h dinner

Vendredi 22 novembre

9h00-9h15 Welcome

9h15-10h15 Plenary lecture 2 : François de la Bretèque (Université Paul Valéry Montpellier): Prédispositions à la fantasy cinématographique d’un chevalier de l’entourage arthurien

10h15-10h45 Agnès Blandeau (Université de Nantes): 'Muance' in Sir Gawain and the Green Knight and in Lowery's film version, The Green Knight

10h45-11h break

11h-12h30 Session 4: David Lowery’s The Green Knight. Chair: Sandra Gorgievski (Université de Toulon)

11h-11h30 Sandra Gorgievski (Université de Toulon): David Lowery’s film The Green Knight

11h30-12h Dunja Haufe (Albert-Ludwigs-Universität Freiburg): Sir Gawain and the Green Knight Revisited: David Lowery’s Ecocritical Interpretation of a Medieval Poem

12h-12h30 Tatjana Silec (Sorbonne Université) and Justine Breton (Université de Reims Champagne-Ardenne): "The Enchanted World of The Green Knight"

12h30-14h30 lunch

14h30-16h Session 5: David Lowery’s The Green Knight. Chair: Agnès Blandeau (Université de Nantes)

14h30-15h Kevin Harty (La Salle University, Philadelphia): Going Dutch: David Lowery’s ‘Middeleeuws Nederlands’ Debt; or, How Gawain Becomes the Knight of the Fox

15h-15h30 Zoe Ennya (Sorbonne Université): In with the Old and the New: Objects and Meaning in The Green Knight

15h30-16h Michael Eden (University of Arts London): Time, Horror, and Iconoclasm: Creative Responses to Sir Gawain and the Green Knight

16h-16h15 break

16h15-17h45 Session 6: From Words to Pictures. Chair: Claire Vial (Sorbonne Nouvelle)

16h15-16h45 Michael Torregrossa (Bristol Community College, Fall River, Massachusetts): Other Routes to the Green Chapel: Exploring Graphic Adaptations of Sir Gawain and the Green Knight

16h45-17h15 Wajih Ayed (Associate Professor, University of Sousse, Tunisia): The Immersion Paradox in Graphic Adaptations of Sir Gawain and the Green Knight

19h dinner