“Sir Gawain and the Green Knight, texte et images”
(Sorbonne Nouvelle, 7-9 décembre 2023)

Le volume rassemblant les articles issus des communications du colloque 2023 sera publié par l’AMAES fin 2024, sous la référence EMA 104, au prix de 15 euros. Les informations concernant l’acquisition de l’ouvrage seront fournies prochainement sur cet espace. En attendant la publication définitive, les versions "preprint" des actes du colloque sont disponibles sur cette page (cliquer sur le lien pour chaque article).

ARTICLES

Arthur Bahr Draft: Seeing Double across the Illustrations of Sir Gawain and the Green Knight

David Balade: Redessiner Sir Gawain and the Green Knight

Florence Bourgne: The Green Knight, between verdure and tryfles

Dermot Burns: What’s in a flinch? Courage and cowardice in the poem Sir Gawain and the Green Knight and its 21st-century screen adaptation, The Green Knight.

Elizabeth Dearnley: ‘Into a forest ful dep, þat ferly watz wylde’: Gawain and the fairy tale forest

Claire Hélie: The Sounds of the Green Knight

Ad Putter: Lost in Translation: Reading Sir Gawain and the Green Knight in the Original and in Translation

Élodie Raimbault: Incisions, gaps and insertions in Sir Gawain and the Green Knight and Lowery’s The Green Knight: “slotted through a slit so the hide stayed whole”

Michael Reid, The Green Knight: An Ambiguous Portrait

Andrew M. Richmond: The Green Chapel: Plotting Place and Environmental Experience in Sir Gawain and the Green Knight and David Lowery’s The Green Knight

Olivier Simonin: Colours in Sir Gawain and the Green Knight

Tobias Stockler: The hidden characters of Sir Gawain and the Green Knight: a census

Dennis Tredy: ‘Making Improvements’ on The Green Knight (2021): L’Évolution de la vision de David Lowery entre scénario et film

Katie Trowsdale: A Very Modern Morgan? David Lowery’s Subversive Depiction of Gender & the Occult in The Green Knight

Martine Yvernault: The Poet and the Weaver: the Inspiring Image of Sir Gawain and the Green Knight

L'Université de Lorraine organise un colloque sur "Tradition and Innovation in Sir Gawain and the Green Knight"

21 et 22 novembre 2024.

ARTICLES (version pre-print)

Agnès Blandeau : ‘Muance’ in Sir Gawain and the Green Knight and in Lowery’s Film The Green Knight

Dr Dermot Burns : ‘Now þenk wel…’: Missing the metacognition in Sir Gawain and the Green Knight

François Amy de la Bretèque : Prédispositions à la fantasy cinématographique d'un chevalier de l'entourage arthurien

Michael Eden : Time, Horror, and Iconoclasm: Creative Responses to Sir Gawain and the Green Knight

Zoé Ennya : In with the Old and the New: Objects and Meaning in The Green Knight

Michèle Gally : Insérer Gauvain et le chevalier vert dans le Graal théâtre

Sandra Gorgievski : The Green Knight de David Lowery (2021), un chevalier sous influence

Kevin HARTY : Going Dutch: David Lowery’s ‘Middeleeuws Nederlands’ Debt; or, How Gawain Becomes the Knight of the Fox

Claire Hélie : Armitage’s Gawains: from the “Alan Bennett mode” to the Poet Laureate mode

Aude Martin : ‘Who is Gawain? Referring to the Hero in Sir Gawain and the Green Knight’

Michael Reid : Morgan le Fay, Ambiguity and the Supernatural in Sir Gawain and the Green Knight

Céline Savatier-Lahondès : Gawain at the crossroads, between ancient tradition and Christian faith – syncretism, mystery and pedagogy

Tatjana Silec-Plessis and Justine Breton : The Enchanted World of The Green Knight

Olivier Simonin : Tolkien editor, reader and critic of Sir Gawain and the Green Knight

Tobias Stockler : Modern adaptations of ancient worldbuilding: Armitage and Lowery’s Sir Gawain and the Green Knight universes

Martine Yvernault : The Temptation of Novelty: Eccentricity Challenging Tradition in Sir Gawain and the Green Knight